Making a Split Screen Ad
One of the great elements inherent in a split screen concept is how immediately different the visuals appear on screen. Our brains are used to seeing a single environment at a time in most videos—our eyes are always seeing two separate images anyways—not to get philosophical or anything. Split screen allows us to place the viewer in two places at once.
Why doesn’t everyone do this?
When it comes to filming a split screen ad, there are some challenges. Let’s think for a moment about the content required to create an excellent split screen. It’s literally TWICE the footage. Not only this, but the footage has to work together seamlessly. More planning, more precision, and more process. This doesn’t necessarily mean we’re just telling two stories at the same time, but it’s more along the lines of twice as powerful of a story.
If we’re capturing twice as much footage, do these projects require a higher budget? Yes.
One of our philosophies: If you’re investing in advertising, we want to help you spend your money in a way that has the highest return possible for you.
Do you remember when TVs first came out with the picture-in-picture (PIP) feature? Apple recently added it into Mac OS, if you weren’t around for the advent of it on TVs. You could set the TV to a main channel, and a secondary channel could be selected to appear in a much smaller rectangle down in the corner of the screen.
PIP was great for avoiding commercials and not missing important moments if two interesting shows were on. Or, if you’re using PIP on your Mac, maybe you’re watching YouTube videos and working on spreadsheets at the same time.
A split screen ad is much more than just two simultaneous videos playing—the two sides of the screen can work together.
If the PIP example wasn’t colorful enough, think of a security camera setup. Typically, the monitors in a surveillance room feature 4 or more displays at once. How many security cameras did they have in the movie, Heist? Not enough.
Obstacles we overcame to make a sweet ad:
- The information displayed is contrasting
– The mind can only consciously process so much information at a given time. If the images paired together have no correlation, the imagery becomes bleak, confusing and off-putting. Can you imagine staring at security monitors all day? Maybe not so different from editing video…😆
- The screens are very small
– It can be hard to discern what is going on with a multiview format because the image is either cropped or scaled down.
- No customization
– These formats are very constricting. Chances are, if you’re cropping something that wasn’t filmed for a multiview display, it will end up cutting off vial information, or it will have bars on the side to scale it down far enough.
Doing things differently
Okay, now you’ve bought in to the concept! Hopefully.
We just completed a series of three videos for AgCountry Farm Credit Services using this split screen concept to great effect. Have you seen them?
Keep it simple
When you’re feeding your audience twice the visuals, there’s no need to over-complicate the scenes. With twice as much occurring in each sequence, it may overwhelm a viewer—the opposite effect of what you’d typically want in an ad.
Watch this video for a quick recap
What did you notice?
Even though we had dreamed up scores of shots that we wanted to capture, you always end up limited on shoot day. We strongly feel that it’s better to have more ideas than you can use, rather than not enough, when it comes down to it.
We feel that the split-screen ad we captured has a unique, attention-getting effect that displays the intricate relationship between a farmer and AgC0untry. We took the limits of a screen, jammed twice as much information into them (without creating something messy), and had a lot of fun doing it.
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